Friday, 18 November 2011

Fashion Non-Smartie's



This week I seem to have been surrounded by fashion world blunders. First my friend posted an interesting article to my Facebook wall from the guardian about when the fashion world takes a step to far in its advertising campaigns; then saw all the controversy on Dakota Fanning’s Lola Campaign for Marc Jacobs with people complaining that the images were too sexualised; and just the other day was the outrage from the Vatican over Benetton's  (never one to lie low) new ‘Unhate’ campaign.
The designers who have been vilified for their irresponsible advertising are industry respected yet they seem to make errors of magnitude despite their investments of millions of dollars to  marketing and PR. But where do they cross the line from being controversial to outright irresponsible?


Let’s start with the ridiculous and shameful.                             
Last year I was disgusted when pictures of ten year old Brazillian model Thylane Blondeau were featured in a Tom Ford shoot for French Vogue, sprawlled across leopard print, wearing low cut, body con clothing with a full face of make up and a sultry demeanour. There is no doubt this little beauty will be a future super model with her beautifully sculptured bone structure, natural pout and her big baby blue eyes but why sexualize this child for a modeling campaign when there is an abundance of beauty’s who could have filled the position responsibly. But who is to blame; her mother, the fashion industry for exploiting her, Tom Ford?







It’s not the first time Mr Ford has been slammed for his controversial ways, several of his adverts are held as some of the most complained about campaigns of all time.





Sex sells?


Little Miss Blondeau is not the first example where the fashion world has been criticized for its irresponsibility with children in advertising campaigns. You think Marc Jacobs would have learnt his lesson from the outrage in 2007 when he hired Dakota Fanning, then 13, for his advertising campaign, but his recent Lola PR stunt has caused an outcry once again.


Miss Fanning, now 17, was recently pictured holding oversized bottles of his Lola perfume in provocative places. They were hounded as suggestive and inappropriate due to their juxtaposition of innocence and seduction with the placement of the bottle. 


Marc Jacobs Lola Campaign 2011


With the rising fame of TomKat's daughter, Suri Cruise, there has been a lot of media backlash surrounding the way this little girl dresses, including lipstick and high heels. Indeed many stores have been increasingly targeted in supporting this growing trend to dress children like adults, with popular high street retailers, including Monsoon and Next, being slammed for selling items such as high heels and padded bra's for young girls.


Is TomKat's little beauty
setting a bad example?


There’s then the other end of disgusting – fashion using politically sensitive issues as ‘inspiration’ for their campaigns.
I remember seeing Keria Knightleys ‘Out of Africa’ shoot in the June 2008 issue of American Vogue and I couldn’t quite comprehend who was being more naïve, me or them. Was I becoming overly sensitive to what was merely supposed to be an African inspired fashion shoot… then I saw it, the picture of Keira standing poised above a group of African Tribesmen billowing in an over-sized ensemble which emanated power and strength – could the editors not see the political significance of our English rose being portrayed in such a way considering much of Africa was previously colonized by the British? It is bitterly disappointing to see some of our biggest fashion idols lacking such little fashion intelligence.


Bespoke designer gowns in a country plagued with poverty?



Louis vuitton covers for elephants - need I say more?


2008 seemed to be a real winner for Vogue as its India editor Priya Tanna, created a monstrosity for the August edition. She thought it inspirational to pair images of clear poverty and traditional indian culture with designer accessories... I'll let the pictures do the talking. 


A man modeled a Burberry umbrella in Vogue that costs about $200.
Some 456 million Indians live on less than $1.25 a day.

Toothless women holds a baby wearing a Fendi bib
worth around $100




Undoubtedly there will be a million more examples out there, but with Vogue being one of the most respected names in the business and a magazine I truly respect, for it's ability to retain its leading fashion stamina, it would do better to contemplate when it's fashion mantra goes too far. 


Then this week week there has been the outcry over Benetton's new 'Unhate' campaign. The brand does seem to have a knack of grabbing the media and perhaps it is all a very clever advertising campaign - no doubt the attention this receives is of global magnitude (especially when the pope's your enemy) but is this too far or is it merely just controversial? The campaign made a point and now everyone's talking about it after all; and maybe it is slightly politically insensitive but controversy is often the best way to get people talking and make a statement - their definitely fashion smarties and know exactly what their doing, but have they gone too far?










The fashion world must understand that whilst trying to impress and make its mark using unusual models, famous names, extreme settings or adobe photoshop they must be sure to develop a social consciousness. When fashion goes too far it simply undermines its power and reverts it back to a superficial corporation rather than an art. 















Friday, 11 November 2011

Oh girls just wanna have fun



So being a journo really ain’t all that bad… Last Friday I got to go along to Girls Day out to see what all the fuss is about. It took the SECC by storm in May and returned for a Christmas spectacular last weekend to treat the ladies of Glasgow to a little pampering…and a day away from their men.


Yes the event is totally cliché as it lives up to everything men would like to tease us over about being  stereotypical bimbos; hair, nails, shopping and spray tans but come on, who doesn’t love a little preening and retail therapy.




Pamper Time - This lovely lady was spoiling herself,
as called for by the day, to a classic french manicure


Eyebrows.... Loved Beautiful Brows home eyebrow kit -
one of the easiest ones to use that i've ever and
stays on even when you gym and swim ladies! 


Concessions from House of Fraser provided the ladies
a chance to refresh their winter wardrobes

It truly was a Venusian spectacular of pink, champagne, topless men, glitter and indulgence – It’s the nearest I may ever get to heaven.



These young ladies were extremely happy with the view...


I could probably fit all my stuff in here, yes.



I don't even thing Gaga could handle these



Now that's my kind of drink



Wonder if they sell these in Ikea for my flat...

So yes, I grabbed the opportunity with my newly manicured hands and rejoiced in the first day dedicated to a weekend of women only (except for the men who were there to serve us as eye candy) and I bloody well loved it.

Butlers in the Buff.... Hired



A round of applause should be given to the event director, Tom Lovering’s, wife – she gave him the idea to fill a space with everything any women could ever need and let us take serenity, even if only for one day, in not having to go to a million different places to give ourselves a slice of pleasure.


With over 200 exhibitors my eye’s grew bigger than my purse. They had really thought of everything from teeth whitening to tooth decay with chocolate fountains and designer cupcakes.




The lovely Girls at 5pm who were there offering the
ladies some of the best deals around for
dining out, leisure, health and beauty! 




Fast Cars - I'll have me one of these please.. make it two



Casino's - A little Vegas glamour


Cocktails and champers - provided all weekend long
by Royal Exchange Squares One Up

No doubt about it, I had a fabulous day with all my pampering, freebies (compliments to Boots - loves a freebie) and cocktails... I'm just struggling to remember how I got home... 
The show is set to return after the New Year and make an appearance in Edinburgh and down south... make sure you Fashion Smartie's keep an eye out for the next one.


Wednesday, 2 November 2011

Think 'gangster' this winter

I’m sorry In advance, as after reading this article those purses may be a little lighter ladies.

If you haven’t already heard of Alan Moore and his stunning Ten30 Brand, (p.s. where have you been?!) then listen up! This Glasgow born designer is one to know and with his new collection just released last week Mr Moore was in need of some serious fashion questioning.

With an honours degree in Textiles from Glasgow School of Art, a background working with Laura Lees and a growing intuitive self-start brand, Alan Moore is definitely a Fashion Smartie. SO it’s understandable I was desperate to get to know him a little better and understand the man behind the brand and his savvy Glasgow ethos.

So let me introduce to you all….drumroll please…. Alan Moore, Ten30 and their newest collection:

Alan Moore



You must be over the moon with the success of the show last Saturday at Glasgow’s Malmaison, please tell all about the new collection:


I was thrilled with the turn-out to see my strongest collection to date, and excited to see media and Textiles Scotland showing support for what we, as part of a new generation of Scottish designers, are working on with Harris Tweed.


This collaboration with Garynahine Harris tweed sees a subtle Scottish theme running in the collection but it’s main inspiration has been the female characters in old gangster movies like Casino, Goodfellas and Scarface.

Michelle Pfeiffer in Scarface


I wanted to take the stereotypical aesthetics of these trashy, powerful, money hungry woman and explore it a bit deeper. I found that there is an underlying vulnerability and insecurity that is usually missed, i wanted to incorporate both of these traits into the collection.


So it’s a bit more mature and refined than anything else I've done in the past. I think this is the strongest and most coherent collection to date, and I'm very pleased with it. It’s very simple and classic, elegant silk shirts with subtle detailing, 60's inspired Harris Tweed jackets and lots of luxurious faux fur and soft black leather.

Ten30 A/W 11

Ten 30 A/W 11

Alan with his models


How have the other collections you’ve created differed, what have they been inspired from?


There is always a lot of thought goes into each collection, every detail of the concept is as important as the aesthetic of the garments.

For the last collection we invented a female muse and wrote short stories about her and posted them on "her" blog. We always created a facebook profile for her and managed to gain more than 200 friends. I am fascinated by social media and the idea of dual personalities and things like that so this collection was a chance to explore all these ideas. 
I am usually inspired by old films, i love dystopic sci-fi fantasy films and have previously made collections referencing Snake Plissken and Escape From New York, as well as TRON.
I think Glasgow and Scotland have a huge reputation for producing innovative textiles, rather than fashion, and this always plays a big part in my work. I like to experiment and develop prints, embroideries and wovens, making that the focus, rather than any avaunt gard pattern cutting. Ten30 is always very wearable, and I want to keep it like that.


So you think Glasgow plays quite a big role in your creations and fashion consciousness?


Since I am from Glasgow and having studied at Glasgow School of Art, I think there is an inherent design ethos or belief in Glasgow that is shared by the creative community, and that is all i know. I was fortunate enough to have an interview for the masters course at Central Saint Martains, where I was told my work was "typically Glasgow" i don't know if that's good or bad, but i like it. (*Good)


There is such a varied scene in Glasgow. Although it is a small city, the city is divided up into so many different looks and life-styles almost sub-sub-cultures if that makes sense? The diversity and availability of clothing in Glasgow makes is so easy for anyone to dress how they want to, and not be forced to be dripping in Topshop. I think the reputation Glasgow has for music, art and culture all tie in together and make the city what it is.


I don’t think there is a bitchiness or fashion hierarchy in Glasgow. I find that people are very complimentary and non-judgemental on other people style, even if it’s not to their taste, there is usually a positive to be said. I like that attitude. (*We like yours)


With the launch of the new collection any other plans in the pipeline?


I like to plan no further than a year in advance, and if I stick to the plan and all goes well, I plan for the next year and make sure the label is improving and I am improving as both a designer and a businessman. The plan so far is  to work on a project in December, another project in February a couple of collaborations and working on Spring/Summer 12 to be launched in March next year. So there’s a lot to get on with.


Any celebrities you would like to see wearing your brand?

I'm not really one for celebrity spotting and not a fan of doing bespoke designs, but I’d love to see someone like Eva Green in some ten30. She’s incredibly beautiful, sultry and has an understated sex appeal which i love; I also imagine she would be a pretty cool person to hang out with.(*We wanna hang out with you and try on your new collection? Please?)

Beautiful Eva Green